Channels, Inputs & Patch

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Transcribed from the source document, typos and blank rows included. Every cell is checked against the PDF's own text on each build. 68 rows, 56 in use.

Only rows with alerts

CH	INPUT	INSTRUMENT	MIC	DI	POSITION	NOTE
1	1	B.D	SM 91 Beta SHURE	—	DRUMS	—
2	2	B.D	D6 AUDIX	—	DRUMS	—
3	3	B.D	BETA 52 SHURE	—	DRUMS	—
4	4	SNR TOP	SM 57 SHURE	—	DRUMS	—
5	5	SNR BOT	E 904 SENNHEISER	—	DRUMS	—
6	6	H.H	SM81 SHURE	—	DRUMS	—
7	7	T1	E 904 SENNHEISER	—	DRUMS	—
8	8	T2	E 904 SENNHEISER	—	DRUMS	—
9	9	F.T 1	E 904 SENNHEISER	—	DRUMS	—
10	10	F.T 2	E 904 SENNHEISER	—	DRUMS	—
11	11	O.H L	SM81 SHURE	—	DRUMS	—
12	12	O.H R	SM81 SHURE	—	DRUMS	—
13	13	BASS L	OPEN XLR	—	BASS	—
14	14	BASS R	OPEN XLR	—	BASS	—
15	15	ELC GTR 1 L (YOSI)	OPEN XLR	—	GTR L	—
16	16	ELC GTR 1 R (YOSI)	OPEN XLR	—	GTR L	—
17	17	ELC GTR 2 L (USHER)	OPEN XLR	—	GTR R	—
18	18	ELC GTR 2 R (USHER)	OPEN XLR	—	GTR R	—
19	19	ACC M	KLARK DN100	DI	LEAD VOC	—
20	MADI 1	NORD L	MADI	—	KB	—
21	MADI 2	NORD R	MADI	—	KB	—
22	MADI 3	HAMOND L	MADI	—	KB	—
23	MADI 4	HAMOND R	MADI	—	KB	—
24	MADI 5	COMP L	MADI	—	KB	—
25	MADI 6	COMP R	MADI	—	KB	—
26	MADI 7	B.V L PLAYBACK	MADI	—	KB	—
27	MADI 8	B.V R PLAYBACK	MADI	—	KB	—
28	20	VOC DRUM	SM 58 SHURE	—	DRUMS	—
29	21	VOC BASS	SM 58 SHURE	—	BASS	—
30	22	VOC GTR L	SM 58 SHURE	—	GTR L	—
31	23	VOC GTR R	SM 58 SHURE	—	GTR R	—
32	MADI 9	VOC KEY	SM 58 SHURE	—	KB	XLR CABLE
33	25	LEAD VOC W.L	SM 58 BETA W.L	—	LEAD VOC	—
34	26	LEAD VOC HEADSET (KOBE)	DPA 4088 Headset	—	LEAD VOC	—
35	27	MEGAPHONE	PRO35 AUDIO TECHNICA W.L	—	LEAD VOC	—
36	28	B VOC M KARIN	SM 58 SHURE	—	B.V	—
37	29	B VOC L ODELYA	SM 58 SHURE	—	B.V	—
38	30	B VOC R INBAL	SM 58 SHURE	—	B.V	—
39	31	SAX	4099 DPA W.L	—	SAX	—
40	MADI 9	CLICK 1	MADI	—	KB	—
41	MADI 10	CLICK 2	MADI	—	KB	—
42	MADI 11	SMPTE	MADI	DI	KB	—
43	32	ROTOTOM1	D2 AUDIX	—	DRUMS	—
44	33	ROTOTOM2	D4 AUDIX	—	DRUMS	—
45	34	ROTOTOM3	D4 AUDIX	—	DRUMS	—
46	35	ROTOTOM4	D4 AUDIX	—	DRUMS	—
47	36	ROTOTOM5	D4 AUDIX	—	DRUMS	—
48	37	ROTOTOM6	D4 AUDIX	—	DRUMS	—
49	38	ROOM - L	AKG C414	—	STAGE	For inear only
50	39	ROOM - R	AKG C414	—	STAGE	For inear only
51	40	—	—	—	—	—
52	41	—	—	—	—	—
53	42	—	—	—	—	—
54	43	—	—	—	—	—
55	44	—	—	—	—	—
56	45	—	—	—	—	—
57	46	—	—	—	—	—
58	47	—	—	—	—	—
59	48	—	—	—	—	—
60	49	—	—	—	—	—
61	50	SWITCH PEDAL USHER	OPEN XLR	—	GTR R	—
Note on channel 61. One of five switch pedals splitting vocals into separate channels, outside the mute programming. The paddles that do the splitting are part of the specification and are to be supplied.
62	51	SWITCH PEDAL KOBE	OPEN XLR	—	LEAD VOC	—
Note on channel 62. One of five switch pedals splitting vocals into separate channels, outside the mute programming. The paddles that do the splitting are part of the specification and are to be supplied.
63	52	SWITCH PEDAL SHAI	OPEN XLR	—	BASS	—
Note on channel 63. One of five switch pedals splitting vocals into separate channels, outside the mute programming. The paddles that do the splitting are part of the specification and are to be supplied.
64	53	SWITCH PEDAL HILLEL	OPEN XLR	—	KB	—
Note on channel 64. One of five switch pedals splitting vocals into separate channels, outside the mute programming. The paddles that do the splitting are part of the specification and are to be supplied.
65	54	SWITCH PEDAL YOSI	OPEN XLR	—	GTR L	—
Note on channel 65. One of five switch pedals splitting vocals into separate channels, outside the mute programming. The paddles that do the splitting are part of the specification and are to be supplied.
66	55	—	—	—	—	—
67	56	—	—	—	—	—
68	LOCAL MIC IN 1	FOH T.B	SM 58 SHURE	—	FOH	—

AUX sends

Eleven stereo monitor mixes.

KOBI (LEAD VOC 1-2) (G4)
YOSI (GTR L 3-4) (G4) (FLIP LR)
USHER (GTR R 5-6) (G4) (FLIP LR)
HILLEL(KB 7-8) (G4)
SHAI (BASS 9-10) (G4)
ITAMAR (DRUMS 11-12) (MIXER)
KARIN (B.V 1 13-14) (G4)
ODELYA (B.V 2 15-16) (G4)
INBAL (B.V 3 17-18) (G4)
ODED (SAX 19-20) (G4)
TECH (TECH 21-22) (G4 X 2)